LunaSea Press is an ever-evolving labor of love. I developed a passion for books because of all the roles they play. A book can be authoritative and playful, artistic and functional, historic and cutting-edge, and just plain magical.
As a book artist I’m especially interested in gender roles and identity and the harmful power dynamics that cause unseen consequences in women’s daily lives, such as rape and sexual abuse, domestic violence, eating disorders, and unequal pay. Through a combination of text, image, and book, I seek to challenge popular cultural beliefs and practices that negatively impact women’s health.

Boys/Girls, 2016. Handbound edition: 8 ¾” x 11 ¾”; Chapbook: 8 ½” x 5 ½”; Handbound, cloth, edition of 8 + 1 AP, French door binding. Chapbook printed and bound at Cornell Digital Print Services, dos-a-dos pamphlet binding. Flash fiction and poetry examining masculinity and femininity from diverse perspectives. Authors: J. Robert Lennon, Gina Keicher, Daniel Peña, Jennifer Savran Kelly, Matthew Novitsky, Sarah Jefferis, Jose Perez Beduya, and Amy C. Whitney.

Boys/Girls, 2016. Handbound edition: 8 ¾” x 11 ¾”; Chapbook: 8 ½” x 5 ½”; Handbound, cloth, edition of 8 + 1 AP, French door binding. Chapbook printed and bound at Cornell Digital Print Services, dos-a-dos pamphlet binding. Flash fiction and poetry examining masculinity and femininity from diverse perspectives. Authors: J. Robert Lennon, Gina Keicher, Daniel Peña, Jennifer Savran Kelly, Matthew Novitsky, Sarah Jefferis, Jose Perez Beduya, and Amy C. Whitney.

Correspondence Books, 2014. ¾” x 2″; Artist’s book series. Cardboard, paper. For this series, I excerpted single sentences from letters, emails, Facebook posts, and feedback on my writing, received from family and friends. Each small accordion book contains one of these sentences, illustrated with cover art cut from various magazines.

The Word, 2000. 5 ¼” x 12”; Artist’s book, edition of 4. Plexiglass, paper, leather sewing supports. Printed at The Center for Book Arts, New York, NY. Text inspired by conversations overheard in bars and cafes in Brooklyn and Manhattan, letterpress. Illustrations inspired by revolutionary poster art of the early-to-mid-twentieth century, dry-point etchings.

Hysteria, 2003. 7 ¼” x 12 ¼”; Handbound, cloth, edition of 50. Perfect-bound, paper, edition of 100. A collection of poetry, prose, and visual art on the subject of women’s mental health, featuring over 30 authors and artists, with an introduction by Jane M. Ussher, Professor and Chair of Women’s Health Psychology, and Director of the Gender Culture and Health Research Unit, University of Western Sydney, Australia

The Word, 2000. 5 ¼” x 12”; Artist’s book, edition of 4. Plexiglass, paper, leather sewing supports. Printed at The Center for Book Arts, New York, NY. Text inspired by conversations overheard in bars and cafes in Brooklyn and Manhattan, letterpress. Illustrations inspired by revolutionary poster art of the early-to-mid-twentieth century, dry-point etchings.